Ten Thousand Roads Remote Viewing and Dowsing Project www.dojopsi.com/tenthousandroads/

Viewing the Future: 2013 USA Leader [ October 27th, 2009 ] Posted in » remote viewing

This week’s mission tasking was:

Describe the individual who is the ‘official’ top political leader of the USA as of May 11, 2013.

The sessions are far out, man. I’m wondering if adding a specific date to this tasking dragged in some ‘event’ data it might not have otherwise?

You can see the sessions here (login required. No ads, spam, etc. the site is clean):

http://www.dojopsi.com/tkr/rv/gallery/missions.cfm?M=1&MT=249566

A brief forum thread (no login required to read) that includes data from another session is here:

http://www.dojopsi.info/forum/index.php?topic=4220

We don’t do very many future taskings as part of weekly Missions but I always find them interesting when they come up.

My goal in tasking this was in part to get the truth, whatever that may be, no matter how unexpected the future may be. It was also to demonstrate that remote viewing targets after 2012 is no different than any other target. There is such made-up woo-woo hype about not being able to view past 2012 but that it is just BS good for late night radio in my view; I have not seen any issues with viewing past the date. It’s simply that we’ll have to wait past it in order to get feedback. :-)

PJ

One With the Star People

Man I pulled an amazing session last night. Right off the bat I sensed that this was gonna be an odd one, as confirmed by an initial ideogram that literally shot me off the page – seriously – to conclude on the woodwork of the table. Energetics, I scribbled enthusiastically for my A component, before probing again. Something electrical perhaps…certainly how it felt.
The next ideogram suggested an object, that same old circle appearing, that same old sense of something hard, manmade and real. Next; a life form. All of this data fluent, fluid and fast. I was in the zone.

Stage Two yielded an array of interesting sense impressions. For a nano-second I was fizzing, before feeling something smooth and polished under the ghostly probe of my imagined fingertips. A hot, zinc-like taste flashed across my taste buds. Somewhere ozone crinked the air. Pausing to guage the dimensions of my target I receievd a general sense of something curved, flattened at one end…and moving fast. The first AOL flashed into my mind: rocket. Declare, abandon, move on.

A flood of aesthetic impressions had me scribbling; fast moving, off world, secretive, silent. Stifling my excitement I took several deep breatsh and ploughed on into Stage 3, my pen nib a blur, my mind barely registering the furious strokes as I rendered what appeared to be several ‘folded pancake’ shaped objects across my page. A sudden burst of energy made me recoil, as if my pen had in somehow connected with something live and electric on the page before me.

Stay calm. Stay in structure. Stage Four.

Tumbling quickly down the page, a cascading waterfall of data as my target slowly began to reveal itself to my mute, quietened mind. My columns filled with information suggestive of a craft in flight, of strange propulsion at work (’plasma‘ and ‘molecules‘), tremendous feats of oddly ‘quantum dynamics.’   

Too much. I was losing myself to AOLs of off-worldly craft, declaring AOL: UFO in the corner of my page, tensing with the joy at my contact with something undreamt of in the general philosophy, existing beyond the boundaries of the epistemological norm. I needed to slow down or change my focus.

I decided to choose the latter. The session was flowing too well for me to break contact altogether and so instead I marked out a change of cue, declaring my intention to move instead to the life form present at the target site. Having returned to my co-ords and scribbled another ideogram I sat back and allowed the target to come to me in the form of half-glimpsed visions and a variegated miasma of sense impressions.

I gathered the impression of being watched by a being of immense mental power, an entity rooted in a reality in which I was merely a mote, a fleck in the eye of some collective and unseen host. As though stroked by pale, ghoul-like skin I remember recoiling somewhat, only to be soothed by a pale green light that flickered across my field of mental vision. The words ‘peace’ and ‘communicate’ sounded somewhere at the back of my brain…for a second I was high above the clouds…now zipping past snowy mountain tops, through deep, verdant valleys….as by my side a tall figure with large eyes radiated benevolence, though only sensed, never seen.

Dutifully (and with no small degree of regret) I pulled myself free from the matrix and recorded my impressions in the columns before me, pausing when I had done so to probe the IT column in the hope that more could be gleaned on the underlying nature of the being whose space I had so gratefully shared. ‘My child,’ I wrote. ‘You are of the star people. You are as us. We are you as will be.’

With that a wave of emotion smashed against my intent and dropped my pen, collapsing back into my chair with an audible sigh. For several minutes I remained just so, as the room darkened around me, the faces in the photographs on the walls slowly lost to the shadows, the trees in the garden outside swaying silent against at greying sky, solemn, austere, as though awaiting some dark, hidden verdict.

‘You are of the star people.’ So had said the strange being with the grey skin as we flashed through the sky together. Through the act of remote viewing I had joined him on his craft to recieve his message to me, to us, to all mankind. I rarely admit to tears. Here, I cried.

My target. What was my target? Plucking the sealed brown envelope from the table before me I turned on the light and pulled at the paper. Not that my inner journey needed confirmation; I had been on target, I knew it…how could I have not been? My tears were evidence enough, as was the reassuring hush of the being’s presence that I could feel even now as I tore open the envelope and held my target to the light…please describe the focus of this photograph:

 

Please describe the focus of this photograph

Bollocks.

November 19th, 2008 | 1 Comment

LRV (Lizard Remote Viewing)

“BIN PICKER!” Ah the fun we used to have throwing someone’s shoes, bag or lunch box into the huge plastic dustbins that littered our school and then ascribing them said moniker in gusty exclamations of bombastic disgust. The sudden and unprovoked bestowment of pariah status on the unsuspecting victim, their only crime that of inattention to their own property. Now in the rubbish bin.

“Get away from us you BIN PICKER!” These words returned to my mind only last week as, reaching down into a pile of discarded junk at our local refuse dump, I scooped a tattered paperback from the pile. As if in response to these taunting ghosts my mind instinctively fired off a swift and conclusive reply:

It’s a classic. It’s in relatively good condition. And there’s nobody looking. So shut it.

The book was The Teachings of Don Juan: A Yaqui Way of Knowledge by Carlos Castaneda, a work with which I had some familiarity and yet whose words I had yet to absorb. The book had come up in conversation with some friends of mine a good few years back, during my time in London. This tale of a young anthropologist’s drug-induced hallucinatory experiences whilst under the tutelage of a Yaqui Indian (laughably presented as justification for the vast amounts of Ketamin they were at that time consuming) sounded rather far-fetched to me, too arcane to be worthy of my interest. I had yet to discover remote viewing back then, had never even heard of an OBE, let alone experienced one; this kind of stuff was nonsense at best, as was Don Johnson and his castanet playing tyro. Whatever.

Now, however, my eyes flicked across the faded rainbow images of the cover with interest. The story of a man led ‘into a world of beauty and terror, ruled by concepts far beyond those of Western civilization’ held a certain personal appeal. Pocketing the book (and a few more besides, including one on past lives and the Bardo Thodol…I had clearly been preceded by a rather esoteric dumper!) I jettisoned the (distinctly non-Narnian) wardrobe that had brought me to the dump in the first place and, rather pleased with the swap, climbed back into my car.

****

Two weeks later and I’ve made a start on Don Juan’s Teachings. Already Castaneda has had his first experience with peyote, wrestling with the Mescalito-entity in the form of a dog and, under the evasive Don Juan’s Yoda-like tutelage, tripping hard in the desert; now he’s moving on experimentation with the Datura plant or (’devil’s weed’) which, according to Don Juan, is used for ’seeing’. With it (he says) ‘a man can soar through the air to see what is going on at any place he chooses.’

Now this is when the remote viewer in me gets interested, especially so when Don Juan informs Casteneda that under the influence of this drug he will be able to ‘find out about persons [he] did not see ordinarily, or about objects that were lost, or about places [he] had not seen.’

Don Juan presses Castaneda to set his intent quickly, to think ‘fast and clearly because there would be no way of reversing [his] thoughts’. Rather comically a pressured Castaneda can think of nothing he wishes to know (TKR weren’t running weekly Missions back then) but eventually comes up with the notion of discovering the culprit responsible for the theft of some books from his college reading room some time earlier. This becomes the object of his ‘divination’ (as he labels it); his ‘target’ as would we.

The culmination of Casteneda’s experience whilst under the influence of the devil’s weed (administered via a paste smeared over his skin) is a vision of a young woman with wild eyes taking flight down a set of stairs followed by a young man removing some books from a hall and packaging them up inside a crate. Casteneda is roused from his vision from Don Juan; he has been out of it for three hours, though the vision itself feels to have lasted only ten minutes.

Now what are we of viewers to make of this vision? Is it a success? Has he hit target? The presence of the books in his vision would certainly suggest that he was to some degree ‘on’, though with no clear feedback we cannot be sure whether Castaneda has accurately witnessed the culprit at work or merely succumbed to an AOL occasioned by the very fact of his knowing the nature of the target beforehand. As a scientific experiment in early remote viewing it’s a flop, in other words. Move along please; nothing to see here.

And yet. Listen to Don Juan’s admonitions as he explains about the wide eyed girl in Castaneda’s vision, the fact that the lizards are never wrong, that he can’t have asked the right question in the first place, ponder on the…er…um….

Sorry? What’s that you ask? Yes, lizards. Did I not mention the lizards?

Oh. Well….

Aside from the application of narcotic pastes, Don Juan’s divinatory methodology differs from that of your average mil-style viewer in that it employs two lizards, un-named in the book, though most probably not answering to the monikers of ‘Chuckles’ or ‘Lucky.’

Don’t worry; no lizards were actually harmed in the process of this ceremony. And that’s a lie; because for some reason it is deemed necessary to sew Chuckles’ eyelids together, with Lucky receiving a similar treatment to his lips. Quite.

A question being asked to the recently muted Lucky and the Datura paste being applied to its skin, off it scurries to go seek the answer, returning only to pass on the news to a shoulder-mounted Chuckles, who in turn passes on his impressions to a spaced-out Castenda, who gratefully receives them in the form of his reported vision.

Despite his glimpse of the man with the books, Castenda is less than happy with the results. Chiefly he cannot understand or explain the vision of the fleeing woman with the wide eyes. Don Juan points out that he ‘must have had that girl in mind when [he] asked the question about the books’. He goes on:

‘The lizards are never wrong; they take every thought as a question. The lizard came back and told you things about [the girl] no one will ever be able to understand, because not even you know what your thoughts were.’

‘How about the other vision I had?’ (Of the man with the books.)

‘Your thoughts must have been steady when you asked that question. And that is the way this sorcery should be conducted, with clarity.’

‘Do you mean the vision of the girl is not to be taken seriously?’

‘How can it be taken seriously if you don’t know what questions the little lizards were answering?’

It would seem that even LRV (Lizard Remote Viewing) is not immune from the perils of an unspecific tasking. Casteneda’s intention was unclear from the offset and thus the data provided him by the lizards was skewed. This ’sorcery’ is to be attempted with pure intent and focussed mind if clear answers are to be received, much as a CRV cue must be watertight if we are to trust the data that returns.

What are we to make of Don Juan’s methodology? Certainly it raises questions about the entire ’signal band’ theory of remote viewing, suggesting instead that the information is simply ‘there’ for the grasping once we have initiated Stage One or set our lizards scurrying.

How would LRV hold up in the current on-line climate? Not too well, I suspect. Casteneda would no doubt be flamed from even the most liberal of boards were he to make such a proposition.

Imagine:

Hi all. New to these boards but thought I’d say hello and ask for your opinion on a problem I am having with my viewing. Keep getting unwanted and irrelevant data in my sessions. I’m wondering whether its due to the coarseness of the thread with which I sew together the lips and eyes of my reptiles before beginning my sesh. What do you guys use? Thanks in advance, CC.

I suspect that he would be forced to evolve LRV in an attempt to break free of the influence of Don Juan and create a separate, more marketable product. Lizards are fairly hard to come by in modern western life but insects are everywhere; IRV would thus be born, the sewing of eyes and lips replaced with a few sprays of deodorant can to induce a hallucinogenic state in the flies or beetles before sending them off to gather one’s data from the matrix. I can picture the demonstrations on Youtube already….

Still, whatever the method, I’m sure Casteneda would be insistent that the words of Don Juan be heeded throughout, regrdless of how one chooses to view. Unless one sets out with utter clarity to answer the exact question being asked, one is doomed to provide shoddy or at worst completely irrelevant information.

The matrix never lies…and neither do the lizards.

- Marv

November 14th, 2008 | 4 Comments

Push: Will Psi Get Realer?

One thing remote viewing (and all psychic-base activities) struggles with is the common confusion in the public about psi abilities. You have scoffer-skeptics convinced that nothing is ever, not even fractionally, psychic, while you have overcredible-believers convinced nearly everything is psi, or that when something IS psi that it’s going to be accurate predictably, that it can be “relied upon”.

Real psi is ridiculously inconsistent, “iffy” and not always robust, at least so far. And while it can be accurate, it’s so unpredictable that even a very long-term, accomplished viewer with a well documented profile can only be predicted on “probable %” accuracy.

Well a new movie coming soon will explore a group of people with ‘psychic abilities’, but with a rather interesting twist: the abilities are apparently not perfect or amazingly robust. This is no ‘Heroes’ where life-size world-changing MIGHTY AND COSMIC POWERS come into play, predictably. Which is a nice change frankly. Whether the film will show the iffy angle is not yet clear, but anything that doesn’t amplify the psi idea into cartoon level will be novel.

The film “Push” stars Chris Evans, Dakota Fanning, Camilla Bell and Djimon Hounsou. All of their characters have different psychic abilities, but “they’re not so great.” Director Paul McGuigan said about it:

“They’re kind of crap powers and that’s important because the film is a character piece as well as an action piece. “As they get emotionally involved their powers suddenly come to the front, but they’re still not that great. It’s not like they’re flying through the air or picking up cars and throwing them… I tried to keep it very much as gritty as I possibly could.”

Can they change the future? Here’s the movie website with trailer.

Read More …

November 11th, 2008 | 3 Comments

Starting Out

When I first looked into remote viewing I was excited to see that there was a how-to manual (the CRV manual). I was quickly disappointed to find that it was mostly an external method of data recording that offered only a limited insight into the internal processes of viewing. There were courses available but they seemed expensive and they were all based on CRV as the data collecting model. I was hoping for more of a do-it-yourself yoga sutra for the Western world.

“The Yoga Sutras of Patanjali” is a very old Sanskrit text which is a highly condensed operating manual for learning supernormal powers. In fact, in one edition of it that I have, the subtitle of Book III is “Supernormal powers”. As I said it is very condensed, perhaps like a course syllabus for advanced yoga teachers. It wasn’t quite a do-it-yourself manual either. Also, the sutras use words like dhyana, dharana, samadhi and samyama that lose a lot in translation, thus the desire for a take on the subject that was more native to the Western/modern world.

I forgot about remote viewing for a while. Later I came back to it when I found the Ten Thousand Roads practice gallery and the forum. I was encouraged to try the “Just do it” method. My previous experience in meditation proved to be helpful in shifting into the right mind-state, and I found that “Just do it” was the only instruction I needed.

After a while I came across something that I could think of as a yoga sutra for the west. In a topic on the TKR forum about RV Tips, “Banded_Krait” recommended reading chapter 21 of “Mental Radio” by Upton Sinclair. That chapter was written by Sinclair’s wife, Mary Craig. It provides a very insightful description of the skills and inner processes involved. This husband and wife team were interested in investigating telepathy and structured their experiments accordingly. Remote viewers will recognized the similarity between these sessions and an RV session. Mary Craig notes that her insights apply to both telepathy and clairvoyance. Remote viewing would involve the same inner skills within a double-blind protocol.

The Sinclair-Craig experiments reflect the telepathy experiments of the early 20th century. They used sketches as targets, with the goal of having the percipient (the viewer) recreate the sketch. In RV, a target may also be represented in words, photos, or geo coordinates. A viewer will express their impressions in any medium they are fluent in, words being very common.

Mary Craig’s chapter has many personal observations of the interactions of subconscious-mind, conscious-mind and deep-mind that the remote viewer will often find to be relevant to their own experience. She describes what might be called an ERV method (extended remote viewing)  which has less external structure than CRV.

From Patanjali, we know that the core skill of remote viewing is the result of samyama applied to the light of higher perception. What does this mean? Mary Craig’s insights are a clear commentary on that particular sutra.

Dan

November 10th, 2008 | Comments Off

Remote Viewing the 2008 President

It’s our first-ever blog post!

Back in 2006, TKR hosted a remote viewing “Mission” on the “Next U.S. President.” The tasker was Gene. We had ten sessions submitted. And now today, on the day of the election, we find those pretty interesting!

Check ‘em out here: http://www.dojopsi.com/tkr/index.cfm?M=1&MT=45039

November 4th, 2008 | 1 Comment




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TKR is a project sponsored by the Dojo Psi. All relevant content is copyright to the viewers providing sessions, others providing feedback, or authors posting on the blog, posted with permission. All other content and collection is copyright © 2008 by Palyne Gaenir, owner of the Dojo Psi and TKR. All rights reserved. Readers are welcome to make excerpts of text found here; we'd appreciate a link in return. You can reach TKR's forum help board at www.dojopsi.info/forum/, reach our viewing dojo at www.dojopsi.com/tkr/, reach our project home page at www.dojopsi.info/tenthousandroads/, or reach our support staff at tkrsupport@dojopsi.com.



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